Signed-off-by: Paul B Mahol <onemda@gmail.com>
Paul B Mahol authored on 2015/11/24 19:14:36... | ... |
@@ -1628,6 +1628,54 @@ compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1 |
1628 | 1628 |
@end example |
1629 | 1629 |
@end itemize |
1630 | 1630 |
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+@section compensationdelay |
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+ |
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+Compensation Delay Line is a metric based delay to compensate differing |
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+positions of microphones or speakers. |
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+ |
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+For example, you have recorded guitar with two microphones placed in |
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+different location. Because the front of sound wave has fixed speed in |
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+normal conditions, the phasing of microphones can vary and depends on |
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+their location and interposition. The best sound mix can be achieved when |
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+these microphones are in phase (synchronized). Note that distance of |
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+~30 cm between microphones makes one microphone to capture signal in |
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+antiphase to another microphone. That makes the final mix sounding moody. |
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+This filter helps to solve phasing problems by adding different delays |
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+to each microphone track and make them synchronized. |
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+ |
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+The best result can be reached when you take one track as base and |
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+synchronize other tracks one by one with it. |
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+Remember that synchronization/delay tolerance depends on sample rate, too. |
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+Higher sample rates will give more tolerance. |
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+ |
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+It accepts the following parameters: |
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+ |
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+@table @option |
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+@item mm |
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+Set millimeters distance. This is compensation distance for fine tuning. |
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+Default is 0. |
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+ |
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+@item cm |
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+Set cm distance. This is compensation distance for tightening distance setup. |
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+Default is 0. |
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+ |
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+@item m |
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+Set meters distance. This is compensation distance for hard distance setup. |
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+Default is 0. |
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+ |
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+@item dry |
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+Set dry amount. Amount of unprocessed (dry) signal. |
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+Default is 0. |
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+ |
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+@item wet |
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+Set wet amount. Amount of processed (wet) signal. |
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+Default is 1. |
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+ |
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+@item temp |
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+Set temperature degree in Celsius. This is the temperature of the environment. |
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+Default is 20. |
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+@end table |
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+ |
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1631 | 1679 |
@section dcshift |
1632 | 1680 |
Apply a DC shift to the audio. |
1633 | 1681 |
|
... | ... |
@@ -64,6 +64,7 @@ OBJS-$(CONFIG_CHANNELMAP_FILTER) += af_channelmap.o |
64 | 64 |
OBJS-$(CONFIG_CHANNELSPLIT_FILTER) += af_channelsplit.o |
65 | 65 |
OBJS-$(CONFIG_CHORUS_FILTER) += af_chorus.o generate_wave_table.o |
66 | 66 |
OBJS-$(CONFIG_COMPAND_FILTER) += af_compand.o |
67 |
+OBJS-$(CONFIG_COMPENSATIONDELAY_FILTER) += af_compensationdelay.o |
|
67 | 68 |
OBJS-$(CONFIG_DCSHIFT_FILTER) += af_dcshift.o |
68 | 69 |
OBJS-$(CONFIG_DYNAUDNORM_FILTER) += af_dynaudnorm.o |
69 | 70 |
OBJS-$(CONFIG_EARWAX_FILTER) += af_earwax.o |
70 | 71 |
new file mode 100644 |
... | ... |
@@ -0,0 +1,198 @@ |
0 |
+/* |
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+ * Copyright (c) 2001-2010 Krzysztof Foltman, Markus Schmidt, Thor Harald Johansen, Vladimir Sadovnikov and others |
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+ * Copyright (c) 2015 Paul B Mahol |
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+ * |
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+ * This file is part of FFmpeg. |
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+ * |
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+ * FFmpeg is free software; you can redistribute it and/or |
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+ * modify it under the terms of the GNU Lesser General Public |
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+ * License as published by the Free Software Foundation; either |
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+ * version 2.1 of the License, or (at your option) any later version. |
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+ * |
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+ * FFmpeg is distributed in the hope that it will be useful, |
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+ * but WITHOUT ANY WARRANTY; without even the implied warranty of |
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+ * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU |
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+ * Lesser General Public License for more details. |
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+ * |
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+ * You should have received a copy of the GNU Lesser General Public |
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+ * License along with FFmpeg; if not, write to the Free Software |
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+ * Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA |
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+ */ |
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+ |
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+#include "libavutil/opt.h" |
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+#include "libavutil/samplefmt.h" |
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+#include "avfilter.h" |
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+#include "audio.h" |
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+#include "internal.h" |
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+ |
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+typedef struct CompensationDelayContext { |
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+ const AVClass *class; |
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+ int distance_mm; |
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+ int distance_cm; |
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+ int distance_m; |
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+ double dry, wet; |
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+ int temp; |
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+ |
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+ unsigned delay; |
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+ unsigned w_ptr; |
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+ unsigned buf_size; |
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+ AVFrame *delay_frame; |
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+} CompensationDelayContext; |
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+ |
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+#define OFFSET(x) offsetof(CompensationDelayContext, x) |
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+#define A AV_OPT_FLAG_AUDIO_PARAM|AV_OPT_FLAG_FILTERING_PARAM |
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+ |
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+static const AVOption compensationdelay_options[] = { |
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+ { "mm", "set mm distance", OFFSET(distance_mm), AV_OPT_TYPE_INT, {.i64=0}, 0, 10, A }, |
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+ { "cm", "set cm distance", OFFSET(distance_cm), AV_OPT_TYPE_INT, {.i64=0}, 0, 100, A }, |
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+ { "m", "set meter distance", OFFSET(distance_m), AV_OPT_TYPE_INT, {.i64=0}, 0, 100, A }, |
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+ { "dry", "set dry amount", OFFSET(dry), AV_OPT_TYPE_DOUBLE, {.dbl=0}, 0, 1, A }, |
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+ { "wet", "set wet amount", OFFSET(wet), AV_OPT_TYPE_DOUBLE, {.dbl=1}, 0, 1, A }, |
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+ { "temp", "set temperature °C", OFFSET(temp), AV_OPT_TYPE_INT, {.i64=20}, -50, 50, A }, |
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+ { NULL } |
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+}; |
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+ |
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+AVFILTER_DEFINE_CLASS(compensationdelay); |
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+ |
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+// The maximum distance for options |
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+#define COMP_DELAY_MAX_DISTANCE (100.0 * 100.0 + 100.0 * 1.0 + 1.0) |
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+// The actual speed of sound in normal conditions |
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+#define COMP_DELAY_SOUND_SPEED_KM_H(temp) 1.85325 * (643.95 * pow(((temp + 273.15) / 273.15), 0.5)) |
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+#define COMP_DELAY_SOUND_SPEED_CM_S(temp) (COMP_DELAY_SOUND_SPEED_KM_H(temp) * (1000.0 * 100.0) /* cm/km */ / (60.0 * 60.0) /* s/h */) |
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+#define COMP_DELAY_SOUND_FRONT_DELAY(temp) (1.0 / COMP_DELAY_SOUND_SPEED_CM_S(temp)) |
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+// The maximum delay may be reached by this filter |
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+#define COMP_DELAY_MAX_DELAY (COMP_DELAY_MAX_DISTANCE * COMP_DELAY_SOUND_FRONT_DELAY(50)) |
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+ |
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+static int query_formats(AVFilterContext *ctx) |
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+{ |
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+ AVFilterChannelLayouts *layouts; |
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+ AVFilterFormats *formats; |
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+ static const enum AVSampleFormat sample_fmts[] = { |
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+ AV_SAMPLE_FMT_DBLP, |
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+ AV_SAMPLE_FMT_NONE |
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+ }; |
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+ int ret; |
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+ |
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+ layouts = ff_all_channel_counts(); |
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+ if (!layouts) |
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+ return AVERROR(ENOMEM); |
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+ ret = ff_set_common_channel_layouts(ctx, layouts); |
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+ if (ret < 0) |
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+ return ret; |
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+ |
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+ formats = ff_make_format_list(sample_fmts); |
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+ if (!formats) |
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+ return AVERROR(ENOMEM); |
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+ ret = ff_set_common_formats(ctx, formats); |
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+ if (ret < 0) |
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+ return ret; |
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+ |
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+ formats = ff_all_samplerates(); |
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+ if (!formats) |
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+ return AVERROR(ENOMEM); |
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+ return ff_set_common_samplerates(ctx, formats); |
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+} |
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+ |
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+static int config_input(AVFilterLink *inlink) |
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+{ |
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+ AVFilterContext *ctx = inlink->dst; |
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+ CompensationDelayContext *s = ctx->priv; |
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+ unsigned min_size, new_size = 1; |
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+ |
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+ s->delay = (s->distance_m * 100. + s->distance_cm * 1. + s->distance_mm * .1) * |
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+ COMP_DELAY_SOUND_FRONT_DELAY(s->temp) * inlink->sample_rate; |
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+ min_size = inlink->sample_rate * COMP_DELAY_MAX_DELAY; |
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+ |
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+ while (new_size < min_size) |
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+ new_size <<= 1; |
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+ |
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+ s->delay_frame = av_frame_alloc(); |
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+ if (!s->delay_frame) |
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+ return AVERROR(ENOMEM); |
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+ |
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+ s->buf_size = new_size; |
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+ s->delay_frame->format = inlink->format; |
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+ s->delay_frame->nb_samples = new_size; |
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+ s->delay_frame->channel_layout = inlink->channel_layout; |
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+ |
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+ return av_frame_get_buffer(s->delay_frame, 32); |
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+} |
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+ |
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+static int filter_frame(AVFilterLink *inlink, AVFrame *in) |
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+{ |
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+ AVFilterContext *ctx = inlink->dst; |
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+ CompensationDelayContext *s = ctx->priv; |
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+ const unsigned b_mask = s->buf_size - 1; |
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+ const unsigned buf_size = s->buf_size; |
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+ const unsigned delay = s->delay; |
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+ const double dry = s->dry; |
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+ const double wet = s->wet; |
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+ unsigned r_ptr, w_ptr; |
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+ AVFrame *out; |
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+ int n, ch; |
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+ |
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+ out = ff_get_audio_buffer(inlink, in->nb_samples); |
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+ if (!out) { |
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+ av_frame_free(&in); |
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+ return AVERROR(ENOMEM); |
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+ } |
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+ av_frame_copy_props(out, in); |
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+ |
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+ for (ch = 0; ch < inlink->channels; ch++) { |
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+ const double *src = (const double *)in->extended_data[ch]; |
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+ double *dst = (double *)out->extended_data[ch]; |
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+ double *buffer = (double *)s->delay_frame->extended_data[ch]; |
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+ |
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+ w_ptr = s->w_ptr; |
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+ r_ptr = (w_ptr + buf_size - delay) & b_mask; |
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+ |
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+ for (n = 0; n < in->nb_samples; n++) { |
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+ const double sample = src[n]; |
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+ |
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+ buffer[w_ptr] = sample; |
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+ dst[n] = dry * sample + wet * buffer[r_ptr]; |
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+ w_ptr = (w_ptr + 1) & b_mask; |
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+ r_ptr = (r_ptr + 1) & b_mask; |
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+ } |
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+ } |
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+ s->w_ptr = w_ptr; |
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+ |
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+ av_frame_free(&in); |
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+ return ff_filter_frame(ctx->outputs[0], out); |
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+} |
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+ |
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+static av_cold void uninit(AVFilterContext *ctx) |
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+{ |
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+ CompensationDelayContext *s = ctx->priv; |
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+ |
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+ av_frame_free(&s->delay_frame); |
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+} |
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+ |
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+static const AVFilterPad compensationdelay_inputs[] = { |
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+ { |
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+ .name = "default", |
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+ .type = AVMEDIA_TYPE_AUDIO, |
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+ .config_props = config_input, |
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+ .filter_frame = filter_frame, |
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+ }, |
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+ { NULL } |
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+}; |
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+ |
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+static const AVFilterPad compensationdelay_outputs[] = { |
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+ { |
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+ .name = "default", |
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+ .type = AVMEDIA_TYPE_AUDIO, |
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+ }, |
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+ { NULL } |
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+}; |
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+ |
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+AVFilter ff_af_compensationdelay = { |
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+ .name = "compensationdelay", |
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+ .description = NULL_IF_CONFIG_SMALL("Audio Compensation Delay Line."), |
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+ .query_formats = query_formats, |
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+ .priv_size = sizeof(CompensationDelayContext), |
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+ .priv_class = &compensationdelay_class, |
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+ .uninit = uninit, |
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+ .inputs = compensationdelay_inputs, |
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+ .outputs = compensationdelay_outputs, |
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+}; |
... | ... |
@@ -86,6 +86,7 @@ void avfilter_register_all(void) |
86 | 86 |
REGISTER_FILTER(CHANNELSPLIT, channelsplit, af); |
87 | 87 |
REGISTER_FILTER(CHORUS, chorus, af); |
88 | 88 |
REGISTER_FILTER(COMPAND, compand, af); |
89 |
+ REGISTER_FILTER(COMPENSATIONDELAY, compensationdelay, af); |
|
89 | 90 |
REGISTER_FILTER(DCSHIFT, dcshift, af); |
90 | 91 |
REGISTER_FILTER(DYNAUDNORM, dynaudnorm, af); |
91 | 92 |
REGISTER_FILTER(EARWAX, earwax, af); |
... | ... |
@@ -30,7 +30,7 @@ |
30 | 30 |
#include "libavutil/version.h" |
31 | 31 |
|
32 | 32 |
#define LIBAVFILTER_VERSION_MAJOR 6 |
33 |
-#define LIBAVFILTER_VERSION_MINOR 15 |
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+#define LIBAVFILTER_VERSION_MINOR 16 |
|
34 | 34 |
#define LIBAVFILTER_VERSION_MICRO 100 |
35 | 35 |
|
36 | 36 |
#define LIBAVFILTER_VERSION_INT AV_VERSION_INT(LIBAVFILTER_VERSION_MAJOR, \ |